Tag Archives: synthpop

valentine’s day – and the most influential or interesting love songs of the previous two decades

15 Feb

Since it’s right after Valentine’s Day, I decided to pick some of the most influential and/or interesting songs on love from the last 20 years (2011 not included, of course).

I generally percieve the 1990s and 2000s as a very important moment in popular culture. Not only because it was the time of my high school/university years but mainly because it perfectly mixed influences of the music made by previous generations with new possibilities and music techniques. Grunge emerged from the influence of the 1960s rock. So did R&B which is rooted in funk, soul and, most importantly, blues. Rap continued to develop since the 1980s and so did punk rock. The 1990s however were direct descendants of the 1980 electronica and new wave. And since our age is defintely the computer age, we witnessed creation of new electro music genres and blending them with other musical influences. We witnessed the birth (or continuous development, as some may say) of industrial rock and industrial metal, nu metal, electro in a variety of genres – from early 90s trip-hop to contemporary electroclash.

Also, I think many things have changed in terms of defining ourselves as human, naming our needs and our emotions. Not only feminism became more important than ever but also many countries started their fight for LGBT rights. Racial and class divisions were and are discussed in all the parts of our world, especially since there is still a large group of fundamentalists in each and every of the religions that has ever existed – not that I am anti-religious, not at all. But,
frankly, I hate every fundamentalism.

Sex is also discussed in a different manner. And popular culture has been very important in the process of expressing our sexuality, our love, our desires. I think some of the songs of the last two decades reflect that process. Let’s take a look at some of them.


Sinéad O’Connor Nothing Compares 2 U
Written in 1986 by Prince, O’Connor re-recorded this song in 1990 and quickly it became not only one of the greatest hits of this year but also O’Connors trade mark which made her rise to fame. A falling apart relationship of the past reaches its climax in the lyrics full of regret and passion at the same time which is only strenthened by a great voice of O’Connor. Her vocals tremble with passion and are torn apart with pain. Mesmerizing.
To view video click here.


Justify My Love

Written by Lenny Kravitz and Ingrid Chavez. Highly controversial song with even more controversial video that’s  been censored and/or banned almost everywhere in the world. It marks the point in which Madonna slowly shifts from corny pop songs of the 1980s into much more ambitious projects which may have been pop but remained top quality and the best example to follow for the future generations. Also, it marks a slow shift from corny and puritan Reagan/Thatcher-era love imagery to a vision of a somewhat complicated sexuality. After all, can we imagine love and sex today without general questions about ourselves and human nature? Can we think of it not reffering to pain, hurting someone/ourselves, rediscovering our sexual identities, whether we’re straight, gay, or avoid labels at all costs? In 1990s it wasn’t that obvious. Luckily, we’ve got Madonna and we know that she turned her attention to wherever she spotted a taboo-topic.
To view video click here.



Pearl Jam Oceans
Hard to say whether Eddie Vedder sings about his love to another person or about his love to surfing. Whatever it is, it is emotional and it marks the rise of grunge which dominated popular music for the most of 1990s.
To view video click here.



En Vougue My Lovin’ (You’re Never Gonna Get It)
In fact a very difficult song – not every vocalist will be able to repeat it, trust me. Marks a trend for the years to come of forming girlsbands which do not necessarily need to know how to play an instrument but have to be sexy and, ok En Vogue, I gotta give you that, need to sing damn well to get to the top. It’s years before Destiny’s Child or Spice Girls (this one isn’t maybe the best example cause they vocally suck, LOL).
P.S. Check the choreography! What the fuck are these guys doing??? X-DD I just looollleeed! Nobody dances like this in vids anymore.
To view video click here.


Red Hot Chili Peppers Under the Bridge
Kiedis sings about his love to L.A. A true classic. And a classic video displayin less of L.A., more of Kiedis’ hairless chest opposed to long, shiny, commercial-like hair on his head. He actually moves his whole body in a way so you can take a closer look at both X-D
To view video click here.



Metallica Nothing Else Matters
An anthem. And a very insightful and sincere confession of James Hetfield (“I never opened myself this way”). Is he confessing to his bandmates or his girlfriend? Noone knows, but, what the heck, nothing else matters.
To view video click here.



Nirvana Heart Shaped Box
Grunge at its height, less than a year before Kurt Cobain’s death. This song’s got it all. A strong riff, powerful chorus, amazing lyrics. It’s debatable whether it is about love although many sourses claim that the song was written for Courtney Love. Everything about love-hate relationships is written exactly here. And, though from the grunge era musically it is Alice in Chains and Soundgarden that I value most, I have to admit Cobain had a mesmerizing voice and great ability to write lyrics. As Wiki says: “Charles Cross wrote in his biography of Cobain Heavier Than Heaven that with the lyric “I wish I could eat your cancer when you turn black”, Cobain “sang in what has to be the most convoluted route any songwriter undertook in pop history to say ‘I love you'”.”
Well, I won’t argue with Cross.
To view video click here.


Radiohead Creep
Less about love. More about the lack of it. An anthem of all the freaks, geeks and nerds. All those who were and are misfits. And a generation anthem as well. Used in Fincher’s Social Network last year and, earlier, covered by KoRn during their Mtv unplugged session – and there was a good reason for it.
“I want a perfect body. | I want a perfect soul. | I want you to notice | When I’m not around. | You’re so fuckin’ special. | I wish I was special (…)”. Hell yeah, welcome to modern times in which you have plenty of identity possibilities, well, far more than your grandma had, and, at the same time, none of them really suits you.
To view video click here.



Blur Girls & Boys
Marks the point at which britpop is gathering more attention. Also, marks slow changes in our society that are still pretty new for some: “Love in the nineties | Is paranoid. | On sunny beaches | take your chances – looking for | Girls who are boys | Who like boys to be girls | Who do boys like they’re girls | Who do girls like they’re boys” – and a sweet conclusion – “Always should be someone you really love”.
To view video click here.


Tool Prison Sex
Less about love. More about the dark side of being a human. After all, it’s Tool. And, since it’s Tool, you can be sure it’s about pain, desire, having power over one another and excercising it on one another. Amazing song.
To view video click here.



Alanis Morissette You Oughta Know
A feminist and a little hysterical scream in the post-grunge genre which, at the time, was considered rebellious. Today noone would consider these angry lyrics rebellious. Today it’s rather common that we express the feelings like: “It was a slap in the face how quickly I was replaced | Are you thinking of me when you fuck her?” At leasts in the songwriting, LOL.
To view video click here.


Portishead Glory Box
The video features Beth Gibbons dressed as a man. And, with her amazing and touching voice she sings: “give me a reason to be a woman”. Tiredness and helplessness. As in most alternative songs love is a more of a haunting experience rather than a sweet, pink-colored commercial for selling mascara.
To view video click here.



Tori Amos Professional Widow
Widely rumored to be about Courtney Love who, maybe because of her artistic pseydonym, is definitely the muse of most rock and alternative songs of the 1990s.
Whether it is about Love or it’s just about any difficult man/woman relationship, it’s there. And, as it always is with Tori Amos, it’s breath taking and hard to classify.
To view video click here.


Bush Swallowed
Partly on love, partly on drugs. Definitely about obession. A rather forgotten British post-grunge band whose frontman is known more as Gwen Stefani’s husband. A pretty sensual video which more or less shows the tastes and trends of the 1990s.
To view video click here.



Björk Jóga
An amazing song with the ever powerful vocal of Björk. Dedicated to a friend. Soulmate love and a very Shakesperian/turn of rennaissance/baroque theme of universe being in perfect harmony.
To view video click here.




Massive Attack Inertia Creeps
A cryptic sensual message that doesn’t include love and sex only. Intense Middle Eastern/Indian motifs and a trance rhythm. Also marks the rise of trip-hop and development of future electro genres. Extremely powerful lyrics that start with: “Recollect me, darling | Erase me to your lips | Two undernourished egos | Four rotating hips” and a disturbing video.
To view video click here.


Placebo Pure Morning
The rise of softer still alternative rock. And an another cryptic message that makes me guess the relationship is or was somewhere in between being sex friends and lovers. Of course, it’s rock, so some guilt and regret spices up the whole. Amazing video and a sexually disturbing image of the androgynous Brian Molko.
To view video click here.



Smashing Pumpkins Ava Adore
Marks the slow death of the grunge-era bands. Smashing Pumpkins are, also, slowly going down. But Billy Corgan still remains disturbing being stylized as Nosferatu, from the 1922 German expressionist horror classic Nosferatu, eine Symphonie des Grauens, and singing: “It is you that I adore | You will always be my whore”. Of course in terms of style it’s a little rip off off Marilyn Manson. But, heck, it’s Corgan. I will always forgive him.
To view video click here.


Foo Fighters Walking After You
A Foo Fighter love song which embarrasses Dave Grohl until today. The song’s cute. His acting in the vid is a bit hysterical. Still, many of those who were raised on grunge as teenagers consider it a damn sexy video (even though Grohl looks funny in a suit.)
To view video click here.



Nine Inch Nails We’re in This Together
It’s Reznor, so it’s always about torment, pain and obsession. Off of The Fragile, one of the most amazing rock albums in the history. And a culminating point of industrial rock hitting the largest audiences in history ever. Of course, as it always is with NIN, a damn good video. And, btw, more or less a moment when each rock star cut their hair and one day all of them (Chris Cornell, James Hetfield, Reznor and many more) appeared with a completely new hairdo X-D
To view video click here.


Beck Sexx Laws
Off of Midnite Vultures – the album which is totally devoted to love and sex. With a little of Beck’s amazing wit and some funky tunes.
Those who happen to know this album and live nearby the Baltic probably will remember Mixed Bizness with the lyrics: “Do you wanna ride on the Baltic Sea | I’ll be your mistress C.O.D.” although I suppose Beck meant the Swedes not the post-communist block X-D
To view video click here.



PJ Harvey This Is Love
She keeps on rocking in the good old style. And still having a great sense for catchy rock riffs and sharp lyrics.
To view video click here.




Peaches Lovertits
She’s a hardcore feminist, she’s crazy, her performances are awesome and she speaks of love and sex with an almost exhibitionist sincerity. And she’s amazing. It’s the year 2000! Electroclash is rising!
To view video click here.




Depeche Mode Dream On
Depeche Mode’s big come back after David Gahan’s fight with drug addiction. And a further rise of electro which actually owes a lot to Depeche Mode.
To view video click here.




White Stripes Fell in Love with a Girl
A catchy rock song of a great band that in a quick time proved to be extremely professional and true to the roots of American rock. Great rhythm and a great riff. Plus, of course, Jack White’s vocal which you cannot confuse with anything else in this world. And lyrics in which he treats love seriously and she’s a player.
To view video click here.



Beyonce Knowles feat. Jay-Z Crazy in Love
A consequent rise of the mix of R&B, soul and a bit of funk. And an addition of rap/hip hop. From En Vogue until Beyonce it’s over 10 years. Today, noone can imagine the world without Beyonce, Jay-Z, Rihanna, Sean Paul, Busta Rhymes and many more. Well… it’s not so obvious. It’s enough to imagine the pre-1990s with Michael Jackson, Janet Jackson, Prince etc. Not that I do not value them (I value Prince the most) but it’s been a long time and much has changed. Also the fact that Beyonce and Jay-Z are now a married couple X-D
To view video click here.


HIM Join Me in Death
The iconic anorectic kinda (but only kinda) dark and kinda (but only kinda) gothic king of Finnish rock. Lame lyrics and lame songs. And dozens of bands following this path. A slow birth of emo-crap.
To view video click here.



Maroon 5 This Love
The iconic anorectic kinda (but only kinda) nerdy and kinda (but only kinda) cute king of whinining pop rock bands for teenage pussies. And dozens of bands following this path. A slow birth of contemporary “alternative” pop rock bands which have nothing to do with the word “alternative” whatsoever.
To view video click here.

Yes, I want to doom the year of 2004 and erase it from the history X-D


All-American Rejects Dirty Little Secret
A little pop rock shit with some teenage boys trying hard to look all sexy. Sadly, this is what defines many bands pop & rock bands today. But at least they play their instruments.
The love message is unclear but, heck, what do I know about contemporary disturbed teenagers?
To view video click here.



Amy Winehouse Back to Black
She may be drugged, hideous and sick. I don’t care. Noone sings with her voice. Noone sings with such tension. Noone is as funky and soul-ish at the same time. And noone is so cruel as she is when she sings: “He left no time to regret | Kept his dick wet | With his same old safe bet | Me and my head high | And my tears dry | Get on without my guy”.
To view video click here.



Regina Spektor Fidelity
One of those who follow the path once established by Tori Amos who is a pioneer in here. Ok, some may argue Carole King was first but that’s a different story, imho.
An amazing example of how alternative pop may mean something ambitious and, still, widely known.
To view video click here.



The Raconteurs Old Enough
A little bit of folk rock and a little sour lyrics: “you never speak so I have to guess you’re not free”. Great song and a little hope that maybe whining teens is not everything that is left.
To view video click here.




Lady Gaga Poker Face
She actually looks kinda pretty in this vid. Who would have guessed she’d become the Marilyn Manson of pop? Still, though I’m not a pop fan myself, I’m happy for her achievements. She’s still far more talented than most of the pop starlets and, at least, she has a strong voice she knows how to use instead of Britney’s hums, ohs and umhs which annoy me as hell. Plus, when it’s about love, Gaga is more into obsession, gambling with the feelings and love/hate relationships. And she tries to escape any label. As an electro fan, I definitely prefer this when it comes to pop than Spice Girls or Backstreet Boys :-]
To view video click here.



Deftones Rocket Skates
As usual for Moreno the lyrics are cryptic. But, in my opinion, it does include a difficult love/hate relationship. Moreno’s voice is perfect as ever and the whole strength of emotions that tear him apart culminate with the words: “Guns, razors, knives | Fuck with me”. One of the best singles of 2010.
To view video click here.



Violent Soho Jesus Stole My Girlfriend
A nice rock tune with a little sarcastic lyrics by an Australian alternative rock band. She leaves cause Jesus means more to her than him.
To view video click here.







12 Feb

Be careful what you wish you for. Not only it may not come true but you, also, may appear silly.

Alice in Videoland, from Sweden, is a self-proclaimed best electropunk band in the world. Well. Guess what – it isn’t! Not to mention the fact that they’re not punk in any possible way whatsoever. LOL!

I had a hard time listening to their newest album A Million Thoughts and They’re All About You. I have to admit that if I went to a club in which this music would have been played, I’d have a pretty good night and I would dance until the dawn. But claiming it’s the best electroclash band in the world is a huge misunderstanding (and lack of any self-criticism).

Sure, there are some songs which are pretty ok but it’s a little disappointing that the best track of the album is Buffalo Stance, which is a cover of a cult single by Neneh Cherry. I’m also afraid that most of their songs incline more into the direction of a very mediocre disco rather than electroclash. In itself, it’s sad. The broadly understood electro has so many possibilities, you can really go into most psychedelic loops, you can rock hard (which is not worse than most though rock bands), you can create experimental things and you can play really catchy, however, ambitious disco songs.

Well, A Million Thoughts and They’re All About You doesn’t have ANY of it! From the musical point of view, both experimental artists and most disco ones are much better than this crap. From Peaches to Aphex Twin, from Bodyrox to Seefeel – everything is better than this! God, at some point I thought that even Britney Spears is better than this, at least she’s consequent in her genre and a big bunch of professional music engineers work their asses off to turn her whining into a dancefloor hit (and, in most cases, they do succeed, you gotta give her that).

What is even more embarrasing is that this album doesn’t differ at all from hundreds of really cheap and shallow records of local Eastern European disco bands. Remember the Romanian band O-Zone? One of the worst songs in the history? Or the Russian band of pretending to be lesbians, t.A.T.u.? Ok, Eastern European music engineering sucks completely. But apart from the fact that you can tell Alice in Videoland has large quantities of money that allows them to buy most expensive computers and hire most expensive experts, what is the difference between them and O-Zone or t.A.T.u.? Well, I’ll tell you: NONE!

Let’s think. Cheap rhythms – in both cases. A shallow, very overestimated vocal of really mediocre abilities – guess what, t.A.T.u. has it as well. Completely repetitive and boring melodies – surprise, surprise, you can find them anywhere.

Some of the songs are not that bad. I mean, if I hear In a Band in one of the clubs, I won’t run away or anything. But nothing, absolutely nothing can force me to listen to this record ever again. Once is absolutely enough!

I’m cruel but… fuck it. To make you compare what we’re talking about, I’m adding four (!!) songs/videos. Little Bird by Alice in Videoland. Sparks by t.A.T.u. which is not so much different in terms of quality – meaning, both of them completely suck; or worse, t.A.T.u. is not so bad compared to Little Bird. Then: the best song of the newest album by Alice in Videoland, Bender – and, actually, it’s the only song worth listening to. And, finally, Bodyrox feat. Luciana. An old hit. I know. But just as a reminder, how this shit should sound like.

This is crap no. 1:

Crap no. 2, which proves to be far better, imo, than crap no. 1:

This is how the whole album should be like, the best song of the album:

This is how this genre should sound in general. An absolute height in the wide disco/electro/dance genre, however, Alice in Videoland will never reach this level, let’s be honest:

p.s. I won’t even mention the quality of lyrics because this is where Alice in Videoland hits rock bottom and doesn’t have, absolutely doesn’t have one single song on the album that would defend them from my cruel comment. Just don’t google their lyrics. It’s for your own safety.


girl panic! – fuck yeah! I panicked!

11 Feb

I thought the world would end, cause I was afraid I would like the new Duran Duran album. But I didn’t, so…

Now, let me explain you here. Not being a fan of Duran Duran I… yes, it’s going to be embarrasing… I… I have to admit I love some of their records. Such hits as Ordinary World or Hungry Like a Wolf are absolute classics. I may feel ashamed that I love these hits but, on the other hand, should I feel guilty? Most amazing and groundbreaking artists admitted that Duran Duran was important in their musical upbringing. Artists as different as Beck, Courtney Love, Jonathan Davis of Korn, Goldfrapp, Franz Ferdinand or Gwen Stefani. Yeah, you heard me. That means not only those who are active in the broadly understood genre of electronic music but also hardcore rockers.

I was wondering, if I’d like the newest Duran Duran album issued digitally at the end of December 2010 (which will be released physically in March 2011) – All You Need Is Now. Why I didn’t? There are a few answers to that and, of course, you don’t need to agree.

First of all, it’s a very diverse album in terms of quality (yes!) There are songs which are great and remind you of the greatest days of Duran Duran. Such as the eponymous track that opens the album. Such as Blame the Machines which clearly shows that Duran Duran didn’t only influence generations but that new achievements in electro also influenced Duran Duran. The highlights also include the somehow dramatic but still touching Before the Rain and – definitely – the disco track Safe (In the Heat of the Moment) which features Ana Matronic of Scissor Sisters. This one is a perfect dancefloor track.

But there are also songs which lack something. Either they’re a bit boring or just don’t have any kind of a strong feature that would have made them outstanding. The corny supposed-to-be a kind of a ballad Leave a Light On is just boring and tiring. Runaway Runaway doesn’t differ in any way at all from hundreds of new wave songs whether they were created in the 1980s or today. The Man Who Stole a Leopard is just a very bad disco song which is extremely cheezy. Girl Panic! includes the most horrible synthesizer solo I’ve ever heard in my whole life and it is truly shocking that Duran Duran didn’t (somehow) realize that much has changed since the last 20 years and that creative possibilities of electronic music are much wider now but also (huh-huh!) chose Girl Panic! as the second single of the album. I mean… really, guys, whose idea was that???

The second thing is… right. The test of time. I’m not saying that Duran Duran shouldn’t stay true to its music and that it should record something completely new. I’m not even saying they should go in the direction of Warp Records (although I am a Warp fan, definitely). I just think that it’s a shame that such acknowledged and, after all, talented artists didn’t use the new possibilities, didn’t even try to add a fresh spice to their music, didn’t feel a need to experiment at all.

The third thing is… uhm, ok, that’s the last one. I don’t want it to become a list of mistakes. I’m not sure if it’s engineered correctly. Mark Ronson is considered one of the best living producers. He’s the one responsible for the rise to fame of many new artists such as Amy Winehouse, Lily Allen or Adele (whose newest album I also need to listen to). Maybe I was wrong but I expected that All You Need Is Now would have been a bit more funky. And it’s not. I’m sorry to say this but the music sounds just flat. And when, in cases of some though experimental electro-shit, it’s an advantage, here – I’m not so sure about it. The sound doesn’t have the depth it should have. One step further and it would’ve become a bunch of midi-generated melodies (sic!)

Luckily, Simon LeBon still has the voice of his youth. He’s over 50 now and this boyish, metallic voice still amazes me.

Btw, I just had the most silly thought. Maybe it’s the British accent but… in All You Need Is Now (not in the chorus, though) doesn’t LeBon sound like Liam Gallagher’s brother? o_O


the noble art of giving your music away for free

8 Feb

Yep, yep. Another band has just appeared among those who chose to advertise, give away for free and sell deluxe copies of their music through the Internet. Paaliaq, I salute to you!

Of course, in the very beginning I was afraid of the quality of music. Not of the sound. Of the very music itself. It is pretty different when such acknowledged artists as Nine Inch Nails or Radiohead distribute their music through the Internet. In this case it is often combined with legal problems and a growing frustration with the record industry.  Many journalists noticed the problem of entering the market by a completely unknown artist. Let’s face it. If you don’t know the musicians and you see that they’re happy, if you download their music (legally, of course), there is a slight anxiety coming with that package. You may think and, let’s be honest, you do think: “Awright then, hereby I state that I am going to download a shitload of crap that I will not be even able to listen through”. The beauty of the Internet, however, makes you immediately add: “And it’s for free. Meh…”

So, sure, I was a little anxious cause I couldn’t tell if Paaliaq would be a shitload of crap or a mesmerizing discovery. And? Well, I blame it on the good days, nice weather, feeling cool and relaxed, blah-blah-blah, but for the past few days I was extremely lucky with music and everything I touched turned either to gold or silver at least. I discovered the amazing Absolace, adored the new record of Seefeel and now this. Either I lost my ear or I became some kind of a musical Queen Midas.

Paaliaq IS mesmerizing. What annoys me the most is that I absolutely cannot find any info about them. I’m digging through gigabytes of data and, unfortunately, little I can find. I’m not even sure if it’s “them”. It could be one single guy. The Paaliaq facebook page claims: “I am gathering my music into albums, to be released during 2011”. So it could be one person. All we know is that it’s an artist/s from London, who defines his/their music as “rocktronica”.

What caught my eye though is that the debut album Keepi was released on January. The second one, Zosma, is out now. There are at least two more coming up this year. If all of them are as good as Keepi, then I’m going to face a serious problem here. Wanting to write about each and every one of them, I’d have to devote the whole year of 2011 to Paaliaq. God knows how much of “my music” was gathered! Obviously, I cannot focus on Paaliaq only (LOL). But I will write a bit about Keepi and I will update you on the other releases by Paaliaq.

Keepi is absolutely amazing. Among the influences Paaliaq names e.g. dEUS, the Cinematic Orchestra, Peter Gabriel, Thomas Newman, Björk, Massive Attack and many more. All of this is true, however, I’d add Radiohead to it. Cause Paaliaq, remaining an electro band (what the hell is “rocktronica” anyway?), is still very true to the roots of the British alternative rock. It actually reminds me of the crucial moment in Radiohead’s career when guys decided to shift from being “I-don’t-know-what-but-it’s-not-britpop-still-not-enough-to-be-rock” to a more experimental route that redefined their music and their artistic career in general. Well, I wouldn’t say Paaliaq is as innovative as the electro experiences of Radiohead. But it is somewhere in between. It’s somewhere in the Radiohead shift.

Moody, ballad-like melodies played mainly by guitar and/or piano, pretty classical and, therefore, almost tribal, ritual-like drumming (which, actually, reminds me of Maureen Tucker of the Velvet Underground) with a pretty cool electro noise from time to time. An interesting male voice that leads the whole. All of it makes a great experience. I was surprised that a debut album could be so well arranged and performed. On the other hand, as I mentioned before, noone knows for how many years was this music performed and gathered. It’s really hard to say if we can treat it like a debut album or not ;-]

The minor flaw of Keepi is perhaps the fact that in some of the cases instrumental pieces are slightly worse than the rest. This is something that is very distracting or annoying even. Right after a pretty mediocre Ascension which is rather blunt we receive a beutifully simple and touching Eel Moon. Of course, albums are full compositions with a structure and their role is not being greatest hits or highlights of… However, I found it disturbing that innovative and inspired tracks (e.g. Vangueria or Inhale Exhale as one of my favorites) are compiled together with pretty boring ones. Maybe that’s the point of “gathering music into albums”? An album is not only a gathering, it’s a whole process of creation. This is one sole fault of Keepi. It is amazing but you can tell that some pieces do not fit the puzzle and perhaps it would have been wiser to be much more strict with choosing the tracks for the album.

No other mistakes noticed. I rest my case. And do download Paaliaq. It’s worth it. A really good piece of alternative shit! You’d be surprised!

To enter the Paaliaq official website (where you can download Keepi for free), click here.


it’s warp again

7 Feb

Hell yeah, one of my favorite record labels. Again. After issuing great records last year, among them the debut album by Gonjasufi, two albums (an LP and an EP) by Flying Lotus and a minimalist electro album by Brian Eno, it released a brand new self-titled LP by Seefeel. An album which, this I have to add, comes after 14 years of silence in the career of one of the most brilliant and acknowledged bands of the British electro scene.

The album is perfectly balanced, this is what came to my mind after I listened to it for the first time. There is electronic noise, a lot of weird, psychedelic loops as well as delicate rhythms and trans-like, monotonous vocals which make your head spin. The whole is pure, very carefully planned and clean which makes it sharp, spatious and powerfully raw at the same time. It becomes hypnotizing at times but not the way Flying Lotus is. Cosmogramma is far more complicated and based on heavily structuralized melodic lines and rhythms. Seefeel is much more frugal and, therefore, enchanting. It’s pure ambient. Funny, one of the first thoughts I had after listening to it a couple of times was: this is perfect music for having sex X-D

What I appreciate most about this album is the use of vocals. They’re there – a very delicate female voice that becomes part of the music and it becomes more of an instrument than a leading voice to which all the other sounds tune. The music is not supposed to accompany the voice. It is more like the voice is an inseparable part of it. Sure, others also did this. It’s nothing new, one may say. But Seefeel remains fresh, innovative and extremely powerful which just proves, as the whole Warp label does, that contemporary electro and ambient scene is far more interesting than the rock scene in Europe. And that it is a great come back of a band that didn’t record anything for such a long time. (Good job, Seefeel! After 14 years of silence you still rock!)

A very good record. It didn’t make my jaw drop – as did the records of Flying Lotus and Gonjasufi last year. Still, it’s perfectly created and played, amazingly engineered and mixed. So I probably wouldn’t say it’s excellent but if only all of the records this year were so good, I’d be most happy. And by the cathegory of “excellence” I mean something that I just did not expect. Seefeel is amazing, especially when it comes to dark moods and much more moody tunes (Airless is one of my favorite tracks). It completely made me fall in love with their music. My comparison to Flying Lotus and/or Gonjasufi comes probably from a fact that it was a real shock to hear their music. Why didn’t Seefeel shock me? Well, I guess I just got used to how Warp recordings good are.